Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.

Join us for Cris Caivano's program where she will blend her joy of dance, movement, research and teaching with the practice of Qigong.

This program is made possible by a generous grant from the Northwest CT Community Foundation Khurshed Bhumgara Fund.

Yarn Bomb Drop-in Sessions are taking place at Five Points Gallery throughout the spring - free and open to the public of all ages, skills and techniques welcome!

MORE INFO HERE

Fridays (weekly):

1 - 2:30 PM

April 11, 18, 25

May 2, 9, 16, 23, 30

Friday, May 9th, at 7 PM, 2nd Home welcomes back Brian Mattiello. It's always a great night with Brian here, and this time will be no different. Great music, food, drinks, and fun. Come down and enjoy!

For reservations (encouraged but not required) call 860-238-4500 or email us at momanddad@2ndhomelounge.com

See our complete event list - https://2ndhomelounge.com/events/

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2nd Home Lounge

524 Main Street, Winsted

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Paint and sip located above Toothpick on Water Street in Torrington!

BYOB! Painting new types of still life's every week.

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Examine the bold and direct capabilities of woodcut and monotype in combination. Learn to print multiple layers of transparent inks and observe how images develop with lush color relationships and luminous surfaces. Participants will develop skills in color ink mixing, registration, printing, and stencil making.

Layered Color Woodcut/Monotype

with Jim Lee

Saturdays, May 3, 10 & 17, 2025

9 AM – 5 PM

Members: $252 / Non-Members: $280

MORE INFO & REGISTER

Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.

Crescendo presents their last concert of the 2024­–25 season, offering two performances of a rarely heard early Baroque work for soloists, chorus, and orchestra: Rappresentatione di Anima e di Corpo (Representation of Soul and Body) by Emilio de’ Cavalieri. This musical drama in three acts was composed in 1600 and is the first musical work of its kind. Written and published at a turning point in musical history, the beginning of the revolutionary Baroque era, this work is considered both an opera and an oratorio. Among a cast of allegorical figures, the two main characters Soul and Body argue about the meaning of their existence. They are tempted to enjoy material goods by Pleasure, World, and Worldly Life, and urged to pursue a virtuous life by Counsel, Intellect, and the Guardian Angel. The conflict also includes visions of Hell, with the appearance of the Damned Souls, and of heaven in the voices of the Blessed Souls and the Angels. Also on the program are two short balletti by Cavalieri and his contemporary Cristofano Malvezzi, composed for the marriage of their patrons Ferdinand I of Medici and Christina of Lorraine. Malvezzi’s piece features thirty voices, divided into seven choirs, creating an auditory climax for this performance.

The cast of soloists includes internationally and nationally renowned early music specialists from Montreal, Canada to New York City. Soprano Paulina Francisco, Anima, “delivers a strong performance [and] showcases her clarity, control and her agility” (The Washington Post). Baritone Anicet Castel, Corpo, has performed with famous European Baroque ensembles such as Les Arts Florissants, Le Concert d'Astrée, Le Poème Harmonique, and Accentus. Bass-baritone Paul Max Tipton, Mondo, is a soloist for Bach Collegium Japan and has been described as “a dignified and beautiful singer” (Atlanta Journal-Constitution). Tenor Pablo Bustos, Intelletto, “sang elegantly, with his own brilliant set of flourishes in the da capo” (The Boston Musical Intelligencer). The cast also includes baritone Jermaine Woodard Jr., Consiglio; countertenor Benjamin Rauch, Piacere; mezzo soprano Salomé Sandoval, Angel Custode; and soprano Jennifer Tyo Oberto, Vita Mondana. The award-winning Crescendo Chorus of thirty-five singers includes both amateur and professional singers of the tri-state area. They are joined by Crescendo Period Instrument Orchestra, an ensemble of fourteen period instrument players from New York City, Boston, Philadelphia, and Bloomington, IN.

This concert will be repeated the following day, Sunday, May 11, at 4:00pm at Saint James Place in Great Barrington. Tickets range from $10 to $75, and are available online at www.crescendomusic.org or on a first-come-first-served basis at the door, 45 minutes prior to the concerts.

A pre-concert talk will be held on Saturday, April 26 at 2:00 PM at Trinity Church. Crescendo’s Founding Artistic Director Christine Gevert will explain the background of Cavalieri’s Rappresentatione. The talk will also be live streamed on Zoom. Details will be available on Crescendo’s website: www.crescendomusic.org.

Support for these concerts has been provided to Crescendo by the Connecticut State Department of Economic and Community Development/Connecticut Office of the Arts (COA) from the Connecticut State Legislature. We also thank NBT Bank and WMNR Fine Arts Radio for their support.