All Ages Welcome! Total Mortgage Arena is a cashless venue. All major credit cards are accepted. Patrons 2yrs and older require a ticket. Artist(s) subject to change. Due to security enhancements, please arrive at least 45-60 minutes prior to event time. Please only bring essential items with you. Bags will not be permitted at entry to Total Mortgage Arena, except for bags used exclusively for medical equipment or diaper bags for the care or infants and toddlers. Guests will still be permitted to bring a clutch purse into Total Mortgage Arena, provided they are 8" x 5" x 1" or smaller. There is no check-in location for prohibited bags or items at the Arena.

Come play music, recite poetry, tell a story, or show off another talent!

Keep in mind this is an all ages event in a public venue. We trust you to make good choices about appropriate material.

This is an LGBTQIA+ inclusive and welcoming event series. No cover fee but minimum one drink purchased required (show Molten some love, y’all!)

Performance slots are assigned on a first come, first served basis IN PERSON. No times will be held or assigned before the event starts. Get there early to grab your spot!

yMusic is a genre-leading American chamber ensemble. Now in its 16th season, the group is renowned for its innovative and collaborative spirit. yMusic has a unique mission: to work on both sides of the classical/popular music divide, without sacrificing rigor, virtuosity, charisma, or style. They were recently praised by NPR Music as “deeply, profoundly skilled. They’ve formed a language all their own.”

Named for Generation Y, yMusic has lent their instantly recognizable sound to commissions and projects by a dizzying array of artists including Andrew Norman, Anohni, Missy Mazzoli, John Legend, Paul Simon, and Caroline Shaw.

yMusic is Alex Sopp, flute; Mark Dover, clarinet; CJ Camerieri, trumpet; Rob Moose, violin; Nadia Sirota, viola; and Gabriel Cabezas, cello. The group was founded by Rob and CJ in 2008, who chose its unique instrumentation based on their friendships and the players' adaptability.

PROGRAM

Judd Greenstein: Together (15')

yMusic: select compositions (20')

Gabriella Smith: Aquatic Ecology (40') [commissioned by Cal Performances, Tippet Rise, Carnegie Hall, Walker Arts Center, Yale Schwarzman Center, and Hirshhorn Museum]

Come discuss a book on the 3rd Saturday of each month. We alternate between fiction and nonfiction books. There will be a catch up session at end of the year to review everything from the year!

January: Queer Privacy

Feb: A Lady for a Duke- ALexis Hall

March: Queer Palestine and the Empire of Critique

May: Body Horror: Capitalism, Fear, Misogyny, Jokes

June: Man O'War by Cory McCarthy

July: Black on Both Sides: A Racial History of Trans Identity

August: Hell Followed With Us by Andrew Joseph White

What do you deserve?

A fractured family squats in a wealthy beachfront home to give 13-year-old Alisha a chance at a better life in an elite school. As Alisha’s academic success stirs suspicion among her teachers and peers, the family’s precarious situation begins to unravel. 

A world premiere play by Tony Meneses. Appropriate for ages 14 and up.

Join us on the first and third Mondays of every month for a new release/popular movie!

Check out other library events

Come play music, recite poetry, tell a story, or show off another talent!

Keep in mind this is an all ages event in a public venue. We trust you to make good choices about appropriate material.

This is an LGBTQIA+ inclusive and welcoming event series. No cover fee but minimum one drink purchased required (show Molten some love, y’all!)

Performance slots are assigned on a first come, first served basis IN PERSON. No times will be held or assigned before the event starts. Get there early to grab your spot!

Come play music, recite poetry, tell a story, or show off another talent!

Keep in mind this is an all ages event in a public venue. We trust you to make good choices about appropriate material.

This is an LGBTQIA+ inclusive and welcoming event series. No cover fee but minimum one drink purchased required (show Molten some love, y’all!)

Performance slots are assigned on a first come, first served basis IN PERSON. No times will be held or assigned before the event starts. Get there early to grab your spot!

This powerhouse tribute to the Allman Brothers Band has been earning rave reviews from fans and venues alike. Their performances capture the spirit, energy, and musicianship of the original band, leaving audiences thrilled and wanting more.

Their top-tier vocals and instrumental skills bring the Allman Brothers’ music to life with passion and authenticity. Fans consistently praise their ability to create an electric atmosphere that gets the crowd dancing and fully immersed.

Their growing & loyal fanbase travel to multiple shows, urging others to experience this incredible act.

Join us on the first and third Mondays of every month for a new release/popular movie.

Check out other library events.

Come play music, recite poetry, tell a story, or show off another talent!

Keep in mind this is an all ages event in a public venue. We trust you to make good choices about appropriate material.

This is an LGBTQIA+ inclusive and welcoming event series. No cover fee but minimum one drink purchased required (show Molten some love, y’all!)

Performance slots are assigned on a first come, first served basis IN PERSON. No times will be held or assigned before the event starts. Get there early to grab your spot!

Come play music, recite poetry, tell a story, or show off another talent!

Keep in mind this is an all ages event in a public venue. We trust you to make good choices about appropriate material.

This is an LGBTQIA+ inclusive and welcoming event series. No cover fee but minimum one drink purchased required (show Molten some love, y’all!)

Performance slots are assigned on a first come, first served basis IN PERSON. No times will be held or assigned before the event starts. Get there early to grab your spot!

Join us on the first and third Mondays of every month for a new release/popular movie!

Check out other library events

Come play music, recite poetry, tell a story, or show off another talent!

Keep in mind this is an all ages event in a public venue. We trust you to make good choices about appropriate material.

This is an LGBTQIA+ inclusive and welcoming event series. No cover fee but minimum one drink purchased required (show Molten some love, y’all!)

Performance slots are assigned on a first come, first served basis IN PERSON. No times will be held or assigned before the event starts. Get there early to grab your spot!

Come discuss a book on the 3rd Saturday of each month. We alternate between fiction and nonfiction books. There will be a catch up session at end of the year to review everything from the year!

January: Queer Privacy

Feb: A Lady for a Duke- ALexis Hall

March: Queer Palestine and the Empire of Critique

May: Body Horror: Capitalism, Fear, Misogyny, Jokes

June: Man O'War by Cory McCarthy

July: Black on Both Sides: A Racial History of Trans Identity

August: Hell Followed With Us by Andrew Joseph White

Come play music, recite poetry, tell a story, or show off another talent!

Keep in mind this is an all ages event in a public venue. We trust you to make good choices about appropriate material.

This is an LGBTQIA+ inclusive and welcoming event series. No cover fee but minimum one drink purchased required (show Molten some love, y’all!)

Performance slots are assigned on a first come, first served basis IN PERSON. No times will be held or assigned before the event starts. Get there early to grab your spot!

The streamers are hung, the punch has been spiked, and the cake is just begging to be eaten! Now all Bill has to do is wait for his guests to arrive. Bill’s 44th is an original comedic show created by puppeteers Dorothy James & Andy Manjuck to create one very worried leading man – Bill. Many styles of puppetry, raucous balloons, and a cheeky piece of crudité all collide to examine the pitfalls of impatience, the wonder of loneliness, and the universal passage of time.

This performance runs 55 minutes.

More about the work from creators, Dorothy James & Andy Manjuck:

Bill’s 44th was originally conceived in 2016 as a five-minute slam-piece for Puppet Homecomings. The prompt: “They are coming,” inspired us to throw a birthday party where no one ever comes. But then, due to scheduling conflicts, we weren’t able to attend the slam and we stuffed Bill’s head (lovingly) into a box on a shelf.

Two years later we were asked by our friend Rowan Magee, who was curating one of the nights for Dixon Place’s Puppet Blok, if we wanted to revisit the idea. We did, and (10 minutes of) Bill was born! What followed next was a whirlwind that culminated in a 20-minute workshop at Dixon Place in 2019, where we shared the bill with the ingenious Shayna Strype, applying and receiving a Production Grant from The Jim Henson Foundation, planning a workshop performance at the New York State Puppet Festival, being a part of Puppet Lab at St. Ann’s Warehouse, and readying for a premiere at Dixon Place in 2020!

Of course, things changed. While many of our ideas came to a screeching halt, Bill’s journey continued. Thanks to the New York State Puppet Festival in October of 2020 we were able to create Bill’s 44th (A Zoom Birthday), a 30-minute ‘zoom’ show performed live in our apartment. And finally, in June of 2021, Bill found his way to his premiere at Dixon Place as part of a puppetry series alongside artists Shayna Strype, Justin Perkins, and Maria Camia.

Thank You to Our Sponsors

Bill’s 44th would like to thank The Jim Henson Foundation, Cheryl Henson, St. Ann’s Warehouse, the New York State Puppet Festival, and Dixon Place. Without their support the show would simply not exist.

The streamers are hung, the punch has been spiked, and the cake is just begging to be eaten! Now all Bill has to do is wait for his guests to arrive. Bill’s 44th is an original comedic show created by puppeteers Dorothy James & Andy Manjuck to create one very worried leading man – Bill. Many styles of puppetry, raucous balloons, and a cheeky piece of crudité all collide to examine the pitfalls of impatience, the wonder of loneliness, and the universal passage of time.

This performance runs 55 minutes.

More about the work from creators, Dorothy James & Andy Manjuck:

Bill’s 44th was originally conceived in 2016 as a five-minute slam-piece for Puppet Homecomings. The prompt: “They are coming,” inspired us to throw a birthday party where no one ever comes. But then, due to scheduling conflicts, we weren’t able to attend the slam and we stuffed Bill’s head (lovingly) into a box on a shelf.

Two years later we were asked by our friend Rowan Magee, who was curating one of the nights for Dixon Place’s Puppet Blok, if we wanted to revisit the idea. We did, and (10 minutes of) Bill was born! What followed next was a whirlwind that culminated in a 20-minute workshop at Dixon Place in 2019, where we shared the bill with the ingenious Shayna Strype, applying and receiving a Production Grant from The Jim Henson Foundation, planning a workshop performance at the New York State Puppet Festival, being a part of Puppet Lab at St. Ann’s Warehouse, and readying for a premiere at Dixon Place in 2020!

Of course, things changed. While many of our ideas came to a screeching halt, Bill’s journey continued. Thanks to the New York State Puppet Festival in October of 2020 we were able to create Bill’s 44th (A Zoom Birthday), a 30-minute ‘zoom’ show performed live in our apartment. And finally, in June of 2021, Bill found his way to his premiere at Dixon Place as part of a puppetry series alongside artists Shayna Strype, Justin Perkins, and Maria Camia.

Thank You to Our Sponsors

Bill’s 44th would like to thank The Jim Henson Foundation, Cheryl Henson, St. Ann’s Warehouse, the New York State Puppet Festival, and Dixon Place. Without their support the show would simply not exist.

While wadaiko (taiko for short) drums have been a part of Japanese culture for centuries, Ikuo Fujitaka, the founder and artistic director of Drum Tao (established in 1993), traces a bit of his inspiration to North America. After seeing Cirque du Soleil use a Japanese wadaiko drum in their show Mystère, he was inspired to build a production that would showcase traditional taiko drumming of Japan in a modern context.

Known for their virtuosity and power, Drum Tao creates a mesmerizing spectacle with dazzling staging, costumes, and lighting. You will be amazed by the thunderous rhythms, breathtaking choreography, and cutting-edge stagecraft. Based in Oita, Japan, Drum Tao performances have touched more than nine million spectators around the world.

An internationally renowned dance company based in Los Angeles, BODYTRAFFIC inspires audiences around the globe to simply love dance. Led by artistic director Tina Finkelman Berkett, the company is not one driven by a single choreographic voice. It aims to endorse established and new voices and be a home for an eclectic range of styles and perspectives that tell vital stories.

The BODYTRAFFIC program planned for the Quick Center is inspired by powerhouse musicians of the 20th century. Two pieces are choreographed by Trey McIntire, one set to music by soul-singing icon Etta James, and the other the music of Buddy Holly, who made an indelible impact on rock and roll despite dying in an accident when he was only 22. The third piece is choreographed by Matthew Neenan, inspired by the inimitable Peggy Lee, whose music spurs us to embrace the passion of living even in the darkest of times.

Named in tribute to Harriet Tubman (whose childhood nickname was Minty), Minty Fresh Circus brings to the stage a raucous, playful reimagination of circus and dance that infuses African performance rituals, ceremonies, and cultural traditions.

Conceived by Monique Martin, Minty Fresh Circus is a U.S.-based circus show performed by an all-Black cast, with a majority-Black creative team, celebrating the healing power of Black music and movement. The acrobats perform a range of movement sourced from the African Diaspora, including percussive dance, ritual movement, Lindy, hip-hop, poppin’ and lockin’, jukin’, hand games, and physical theater.

Eileen Ivers continues to push traditional fiddling boundaries from a folk music staple to a fiercely fresh, powerfully beautiful, intensely driving world stage experience. Over a career spanning more than 40 years, Ivers has performed and/or toured with such diverse artists as Sting, Patti Smith, Al Di Meola, Hall and Oates, and The Chieftains, and was a founding member of Cherish the Ladies.

Grammy-winning and Emmy-nominated, Ivers has guest-starred with the London Symphony Orchestra, Boston Pops, over 60 symphony orchestras to date, and was the groundbreaking musical star of Riverdance. The daughter of Irish immigrants, her love of connecting her musical roots in both Ireland and the U.S. is palpable.

Recipient of Les Prix de la Danse de Montréal 2017 for performance as a solo with bang bang, Manuel Roque returns to the piece with a new energy, performed as a duet. This is a work that pushes artist and audience to the limit. Involving a repetition of jumps and athletic patterns counted in 11, bang bang demands exceptional concentration and physical commitment from the performers. This work gradually drips with combativeness and resistance, revealing the human-performers’ flaws. As a pair, the ordeal becomes a sharing of strengths and weaknesses, where continuing becomes at once absurd, poetic, and political.

“Manuel Roque does more than dance for us; he dances us, embodies our inability to dance, and generously restores dance to us, illuminating that precise place where the body becomes spirit and finds its illuminated unity.” – Jean Louis Perrier, Revue Movement, Montréal (translated from French)

Stamford’s Orchestra Lumos, led by music director Michael Stern, brings their Sunday encore performance to the Quick Center.

As part of their season dedicated to celebrating America’s 250th birthday, the March program of Orchestra Lumos is titled American Gems. It features the work of original American voices including Aaron Copland, old-world émigré Igor Stravinsky, and Scott Joplin, all composers who were inspired by the genius of J.S. Bach.