Join the Friends of the David M. Hunt Library for their monthly book sale on the first Saturday of every month from 10 am to 1 pm. New, used, cds, dvds, coffee table books, recent fiction and mystery, children's books- there is something for everyone! All proceeds benefit the library.

The O&G Touch a Truck is back!

Saturday, June 7, 10am-2pm

900 South Main Street, Torrington, CT

Dozens of pieces of construction equipment will be on display for kids to touch and climb aboard.

There will also be police vehicles!

Admission to the event is a suggested donation of $2 per person, and all proceeds will benefit the Torrington Police Activities League -Torrington PAL.

Ample parking will be available next door at 850 South Street and a shuttle bus will be available.

The event is weather permitting.

Experience nature through the lens of soft pastels and observe the dynamic interplay of color, texture and composition. Through demonstrations, practice and experimentation, learn blending and layering techniques to create depth and atmosphere.

Instructor: Mary Beth Sasso

Saturday, June 7, 2025

10:00 AM - 4:00 PM

Ages: 15+

Members: $108 / Non-Members: $120

MORE INFO & REGISTER

Join us this summer for our annual Teddy Bear Festival on the New Milford Green!

 Bring your favorite stuffed friend to enjoy a day outdoors filled with games, food, and fun!

 Visit our Adoption Center to find your new best friend

 Stop by the Teddy Bear Hospital for a check up

 Then celebrate your new friendship in the Teddy Bear Parade!

Fun for all ages!

 Raffles  Vendors  Food Trucks  Games  Entertainment  and more

Join us on June 7th for FREE ADMISSION as historic trades are demonstrated throughout the day. Shop handmade items from local artisans while learning about their specific crafts and trades. Explore our newly renovated galleries and beautiful museum grounds.

Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.

Support our new works, education programs, and performances in the year ahead by attending our most important fundraiser of the year!

Join us for a sun-kissed cocktail reception followed by an outdoor performance with casual lawn seating for the audience. As the sun sets, we'll enjoy dinner under a glittering tent and a joy-filled dance party featuring the Pilobolus artists.

For more information, visit pilobolus.org/ball

Saturday, June 7th, at 7:00 PM, 2nd Home welcomes back Carm & St. George. Carm & St. George is a guitar and vocals duo specializing in two-part harmony Americana. A unique blend of folk, rock, and a little country. We're looking forward to having them, and hope you'll join us to make them feel welcome.

For reservations (encouraged but not required) call 860-238-4500 or email us at momanddad@2ndhomelounge.com

See our complete event list - https://2ndhomelounge.com/events/

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2nd Home Lounge

524 Main Street, Winsted

2ndhomelounge.com

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Compared to the work of David Sedaris, Claudia Shear and Augustin Burroughs, IT GOES WITHOUT SAYING is a uniquely crafted autobiographical tour-de-force in which Bill Bowers shares funny, heartbreaking, and unbelievable true stories from his career as an actor and mime, and his life-long exploration of the role silence plays in all our lives.

​

IT GOES WITHOUT SAYING takes you on a scenic tour of Bill's life thus far; from his childhood in the wilds of Montana, to outrageous jobs as a performer across the country, to the whirlwind of Broadway and studying with the legendary Marcel Marceau.

The evening will also include a special guest delivering An Address to the FL Legislature, Doug Wright's poignant 10-minute play.

Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.

Our annual Summer Great Works Concert will feature two of Mozart's most iconic choral works: his beloved Requiem and the lesser known Coronation Mass. The concert will take place on Sunday, June 8th, 2025, at 3 pm at St. John's Church in New Milford, CT.

The concert will be conducted by music director James Knox Sutterfield and will feature professional soloists and orchestra.

Parking is available on the street, behind the church, and at the public library across Whittlesey Avenue.

St. John’s in New Milford is wheelchair accessible at the side entrance on Whittlesey Ave. Accessible bathrooms are available on the same floor as the sanctuary.

Tickets are $25 in advance at https://kentsingers.com/tickets/ and $30 at the door. For further information contact tickets@kentsingers.org.

Hear the stories behind the famous photos of presidents, Hollywood legends, and cultural history—at this talk and book signing at AMP.

Renowned photojournalist Christopher Little will share the stories behind his famous photographs and sign copies of his book Shooting the Breeze: Memories of a Photojournalist.

Books will be available for purchase at the event.

About Photojournalist Christopher Little

For over four decades, photojournalist Christopher Little has captured significant moments in history and pop culture. His work has graced the covers of more than 300 magazines and books, including Time, People, Vanity Fair, and The New York Times.

Christopher’s subjects have ranged from U.S. presidents to cultural icons like Oprah Winfrey and Muhammad Ali; celebrated actors and musicians including Leonardo DiCaprio, Sophia Loren, Led Zeppelin, and David Bowie—and architectural masterpieces like Fallingwater.

This AMP Talk and book signing is a rare opportunity to meet a photographer whose lens has shaped how we see the world.

About the Book

Shooting the Breeze: Memories of a Photojournalist

For forty years, Christopher Little held a front seat to history.

Shooting the Breeze: Memories of a Photojournalist is his story. The book details his intimate talks with presidents, movie stars, supermodels, rock ’n’ rollers, and lots of other world-famous people. During his career, he covered pivotal events and society’s shapers. There are more than 400 images in the book.

As he says in the introduction, “I don’t miss the stress. But traveling the world, covering historic events and meeting people who have made a difference—in politics, journalism, music, architecture, sports, writing, acting, modeling, television—those are the thrills I do miss.” His assignments took him to 83 countries and all 50 states.

Shooting the Breeze is filled with photographs and anecdotes of such diverse people as Johnny Cash, Bush ’41, Kate Hepburn, Oprah, ABBA, William F. Buckley, Jr., Sophia Loren, Sting, P. G. Wodehouse, Meg Ryan, Muhammad Ali, Woody Allen, David Letterman, Richard Gere, Oliver Sacks, Jerry Seinfeld, Queen Elizabeth, and many others.

Don't miss this opportunity to hear firsthand accounts of history through the eyes of a renowned photojournalist.

Come Early to Explore AMP's Mural Exhibit

This event is free with the purchase of an all-day admission ticket to AMP's indoor mural exhibit.

Reserve your seat by purchasing an advance Admission Ticket for the date of the event (Sunday, June 8). Your admission ticket is good for the entire day (12 to 5pm). Reentry is permitted. Parking is free. Books will be available for purchase at the event.

AMP’s live events are supported by the generosity of the Magnifico Family.

You are invited to Flashes & Fragments - an art exhibit that is a fusion of mixed media, artistic lettering, video & photography. New works by Debra Lill and Kathleen Borkowski combine the beauty of visual storytelling with the expressiveness of hand lettered art. We hope you will join us as we celebrate this new work, created specifically for the Whiting Mills Gallery!

Opening: Thursday, April 24th, 5-7 pm.

Show dates: April 17-June 27

August 15, 2024 – August 17, 2025

Celebrating the year-long loan of three Georgia O’Keeffe paintings, this exhibition unites the Mattatuck Museum’s collection with O’Keeffe’s life and work through common themes. The first pairing, Flowers and Landscapes, showcases artists who tackled similar subject matter to O’Keeffe and participated in emerging art movements, yet also occupied marginalized spaces in society. These unique spotlight exhibitions celebrate the year-long loan of three Georgia O’Keeffe paintings and will unite the Mattatuck Museum’s collection with O’Keeffe’s life and work through common themes, creating a unique dialogue between her work and other celebrated artists. Each unique pairing will be curated and narrated by a different member of the Museum’s curatorial department and offer a distinctive perspective on the Mattatuck Collection in relation to the works and story of Georgia O’Keeffe.

Landscapes: an exhibit of oil paintings by Pete Bergeron.

Connecticut artist Pete Bergeron has been painting since early childhood, inspired by the classic television instruction series "You Are an Artist", hosted by Jon Gnagy. Pete's formal art training began at Paier School of Art in Hamden, CT, studying illustration. Eventually he turned to large scale painting and, like artist James Rosenquist before him, he worked as a billboard painter, creating giant images of hamburgers, beer bottles, cars and other colorful oversized advertisements.

In 1990 he studied with Frank Covino of Waitsfield, VT, learning the Classical Academic approach to painting: a systematic method that begins with a detailed monochromatic under painting superimposed with many layers of thinly applied colored glazes. The resulting effect gives an overall luminous quality to the finished painting. His commitment to fine art was a natural direction that led to a consuming full-time passion for creating lasting and timeless works of art.

Pete’s paintings are reminiscent of the late nineteenth century American landscape painters of the Hudson River School, including John Frederick Kensett, Sanford Robinson Gifford and William Trost Richards, and of the Tonalist painters of that period.

His work hangs in many collections throughout the country.

 “Landscapes” is an exhibition of paintings of unique locations the artist has visited many times, and through the use of strong composition, a wide range of values and a complex layering of color, the artist turns the otherwise commonplace – a crashing wave, the quiet of a passing cloud or the early light of a new day – into moments of awe and inspiration and creates a connection to the eternal beauty and reassuring qualities of Nature.