The Merryall Center in New Milford, CT is now accepting submissions for Expressing Motherhood (Connecticut).

Expressing Motherhood is a stage show of personal stories, songs, and skits all about the journey of motherhood. Since 2008, moms have been sharing their stories at Expressing Motherhood performances across the country. Submissions from moms, dads, grandparents, and reflections about mothers are all welcome.

The show is built for the non-famous, non-published, and people who want to get out and express themselves. The average cast consists of ten people. Performers submit in advance and are chosen based on the power of their stories.

Submission deadline - June 30th, 2025. No auditions. Email Submissions to: aschuette@merryallcenter.org

Open to all levels of experience, this workshop offers an in-depth exploration of oil painting techniques and traditional still life. Develop foundational painting skills, including glazing and layering oil paints to create luminosity and depth.

Oil Painting: Explorations in Still Life

with Sarah Paolucci

Wednesdays, May 7, 14, 21 & 28, 2025

10 AM – 1 PM

Members: $162 / Non-Members: $180

MORE INFO & REGISTER

Yarn Bomb Drop-in Sessions are taking place at Five Points Arts Center throughout the winter and spring - free and open to the public of all ages, skills and techniques welcome!

MORE INFO HERE

Wednesdays (weekly):

2 - 4 PM

Jan 8 - May 28

Saturdays:

2 -4 PM

January 11 & 25

February 8 &22

March 8 & 22

April 12 & 26

May 10

Join us every Friday night from 5-8 in the NHAG studio, at 37 Greenwoods Road, New Hartford CT - Floor 2 #9A for life model drawing. Participants must be 18+ to attend.

registar at nhagct.art or newhartfordartisansguild.com

Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.

Accompanying her new exhibition of paintings at David M. Hunt Library I Collect Clouds, Ann Kraus will host an engaging Art Talk on Thursday, May 22, from 5:30 PM to 7:00 PM. Attendees will have the opportunity to hear directly from the artist about her inspirations, techniques, and the thought-provoking themes behind her collection.

Ann Kraus’s vibrant skyscapes capture the feelings evoked by a specific time and place, constantly evolving as they are buffeted by the wind, adding drama and clarity to our world at sunrise and sunset. The artist said of her paintings, "While some may be serene, others may be electrifying and chaotic."

A reception to celebrate the opening of I Collect Clouds will be held on Saturday, May 3, from 5:00 PM to 7:00 PM. The exhibition will be on display from May 2 through May 30.

Thursday, Mat 22nd, Pat Marafiote & Danny Draher are back at 2nd Home. It has been a while since Pat and Danny were here, but not so long as to not remember what a great evening it was, and this is certain to be an other evening of great Blues! Great music, food, drinks, and fun. Come down and enjoy.

For reservations (encouraged but not required) call 860-238-4500 or email us at momanddad@2ndhomelounge.com

See our complete event list - https://2ndhomelounge.com/events/

Our Google Street View is online, and it looks amazing:

https://goo.gl/maps/eC7A4ZDEjenNqzpb6

https://goo.gl/maps/NWGK4NRyk6MNfmWZ6

2nd Home Lounge

524 Main Street, Winsted

2ndhomelounge.com

Join our mailing list - https://2ndhomelounge.com/email-sign-up/

Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.