Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.

The Judy Black Memorial Park and Gardens is pleased to welcome “In Transit,” an art exhibition by Jeff McCracken on view beginning Friday, May 2. 

An opening reception will be held on Saturday, May 3 from 3 to 5 pm. The public is invited to attend.

The paintings in this show demonstrate a mastery of realism, mood, and human presence.

The foundation of McCracken’s practice is linked to being emotionally influenced by the story each individual conveys. His subway series of paintings focus on individuals being private in a public place, capturing that fleeting moment when their inner humanity is revealed regardless of who they are or where they’re from.

Check our social media for weekly open hours: @judyblackpark on Instagram and Facebook. 

The Gunn Memorial Library Stairwell Gallery is pleased to present Restoration: Landscapes & Botanical Abstracts in Gouache, an exhibition of beautiful landscapes and botanicals by artist Susan Newbury, on view from April 5 through May 31.

Susan’s work is a celebration of nature’s depth and detail, drawing inspiration from the stunning landscapes, waterscapes, and gardens of her rural New York State roots and her home in Litchfield County. With a background in graphic and fashion design, her artistic practice has evolved into a dynamic exploration of color, pattern, and movement. She works primarily in gouache, acrylic, and mixed media on paper, canvas, and wood panel, using a bright, rich palette to create layered compositions that blend natural elements with abstract forms.

“Nature not only provides the subject matter but the solitude, joy, and purpose for my paintings, creating a place of quiet introspection and restoration,” she says. Her work reflects this philosophy, infusing familiar landscapes with energy and emotion while maintaining a sense of tranquility and balance. Inspired by both the botanical world and interior design elements such as fabric, wallpaper, and tilework, her paintings feature repeating shapes and striking color contrasts for an unexpected visual experience.

Her instinctive approach to painting allows her to let go of the rules, creating compositions that are both structured and free-flowing. She paints in her Litchfield County studio and accepts commission work.

Gunn Memorial Library is located at 5 Wykeham Road at the juncture of Route 47 opposite the Green in Washington, CT. Library hours may be found at gunnlibrary.org.

For more information call (860)868-7586 or email, adoerwald@gunnlibrary.org.

You are invited to Flashes & Fragments - an art exhibit that is a fusion of mixed media, artistic lettering, video & photography. New works by Debra Lill and Kathleen Borkowski combine the beauty of visual storytelling with the expressiveness of hand lettered art. We hope you will join us as we celebrate this new work, created specifically for the Whiting Mills Gallery!

Opening: Thursday, April 24th, 5-7 pm.

Show dates: April 17-June 27

The Morris Public Library offers Story and Music Time for participants ages 9 mo. - 5 y.o every Tuesday at 10 am.

Please call to ask if a spot is available: 860-567-7440.

Sing songs, read a story, do a craft!

August 15, 2024 – September 21, 2025

Celebrating the year-long loan of three Georgia O’Keeffe paintings, this exhibition unites the Mattatuck Museum’s collection with O’Keeffe’s life and work through common themes.

 These unique spotlight exhibitions celebrate the year-long loan of three Georgia O’Keeffe paintings and will unite the Mattatuck Museum’s collection with O’Keeffe’s life and work through common themes, creating a unique dialogue between her work and other celebrated artists. Each unique pairing will be curated and narrated by a different member of the Museum’s curatorial department and offer a distinctive perspective on the Mattatuck Collection in relation to the works and story of Georgia O’Keeffe.

Join the Monthly Critique sessions at Five Points Arts Center – Bring in an original work for personal, constructive feedback and discussion with Founder and Executive Director, Judy McElhone. All skill levels and mediums are welcome!

Free and open to the public

Tuesday, May 13

2 – 3 PM

Five Points Arts Center

MORE INFO & RSVP

Join local historical costuming enthusiast Abigail Yanaway to...

• Ask questions about 18th century sewing Access resources related to 18th century sewing
• Get help with your own 18th century projects
• Meet other people interested in historical sewing
• Join other historical sewing enthusiasts to work on projects together

The Guild, the Library's new volunteer organization, welxomes any and all lovers of books and culture. You do not need to love in Sharon to volunteer with the Guild. 

Presented by Oblong Books in partnership with The White Hart & Scoville Memorial Library.
An Economist Best Book of 2024!

Tickets Required.
Tickets $15: Include a complimentary glass of house wine, beer or non alcoholic beverage plus a $5 voucher towards the purchase of THE EDITOR at this event.

Author Sara B. Franklin and Alice Quinn will discuss Franklin's book THE EDITOR - the story of the woman behind some of the most important authors of the 20th century. During her more than fifty years as an editor at Alfred A. Knopf, Jones nurtured the careers of literary icons such as Sylvia Plath, Anne Tyler, and John Updike, and helped launched new genres and trends in literature. At the forefront of the cookbook revolution, she published the who’s who of food writing: Edna Lewis, M.F.K. Fisher, Claudia Roden, Madhur Jaffrey, James Beard, and, most famously, Julia Child.

Sara B. Franklin is a writer, teacher, and oral historian. She received a 2020–2021 National Endowment for the Humanities (NEH) Public Scholars grant for her research on Judith Jones, and teaches courses on food, writing, embodied culture, and oral history at NYU’s Gallatin School of Individualized Study. She is the author of The Editor, the editor of Edna Lewis, and coauthor of The Phoenicia Diner Cookbook. She holds a PhD in food studies from NYU and studied documentary storytelling at both the Duke Center for Documentary Studies and the Salt Institute for Documentary Studies. She lives in Kingston, New York.

Alice Quinn, executive director of the Poetry Society of America for eighteen years, was also the poetry editor at The New Yorker from 1987 to 2007 and an editor at Alfred A. Knopf for more than ten years prior to that. She teaches at Columbia University’s School of the Arts and is the editor of a book of Elizabeth Bishop’s writings, Edgar Allan Poe & The Juke-Box: Uncollected Poems, Drafts, and Fragments, as well as a forthcoming book of Bishop’s journals. She lives in New York City and Millerton, New York.

The White Hart Inn is a fully wheelchair accessible space with on-site van accessible parking. Microphones and speakers will be used at this event. If you have specific questions about the space or how an event can be made more accessible to you, please do not hesitate to contact us: info@oblongbooks.com.